invasive species (butomus umbellatus), invasive species (lymantria dispar: asian gypsy moth), invasive species (schinus molle)2008 Ink on Vellum, each 11 x 8.25"
invasive species (avena fatua),2008 Ink on Vellum, 11 x 8.25"
invasive species (acer platanoides),2008 Ink on Vellum, 11 x 8.25"
Invasive Species considers the issue of loss due to the introduction of foreign species of insect, fungus, plant, and pathogens. Environmental change in the public discourse has largely been focused on industry and urban sprawl. What of the loss accelerated through the introduction of natural factors via globalization (trade) and climate change (the alteration of migration patterns and temperature changes promoting ideal climates for foreign species to thrive.)
invasive species (elaeagnus angustifolia),2008 Ink on Vellum, 11 x 8.25" Private Collection, New York
origins (lambent),2007-2008 Ceramic, Paraffin, Acrylic, 9 x 8.25 x 8.5"
invasive species (alhagi maurorum),2008 Ink on Vellum, 11 x 8.25"
invasive species (water hyacinth),2008 Pencil, Acrylic, Vellum on Canvas 10" diameter
susurration,2007-2008 Ceramic, Paraffin, Acrylic, Wood, 13 x 5.75 x 5.75"
invasive species 1 (adelgid),2008 Ink on Matte Board, 8.125 x 9"
invasive species 1.2 (adelgid),2008 Gouache, Ink on Matte Board, 8.75 x 10.875"
Neologisms Go North, A Space for Contemporary Art, Beacon, New York September 8 - October 7, 2007
Precipitates (portent), 2007 Paraffin, Gauze, Nylon, Wire, Cotton, 5 x 7 x 5', dimensions vary
Precipitates began as an investigation into the apparent over population of bull kelp in the near-shore waters of British Columbia. Was there a causal relationship between global warming, rising sea temperatures, the loss of coastal environments and the prima facie abundance of bull kelp in the northern Pacific waters? On the contrary, bull kelp forest populations, with their preference for cold water conditions, will be adversely affected by the rising sea temperatures associated with global warming. The species, however, thrive in carbon dioxide rich environments, and the presence of higher levels of carbon dioxide could very well offset some of the negative impacts of increased water temperatures. These contradictory connections between cause and effect speak to the complex relationships between action and consequence, specific ecosystems and the environment as a whole.
Origins, from memes, artist book,2007 Ink on Paper, 9 x 11"
Worms, from memes, artist book,2007 Ink on Paper, 9 x 11"
Precipitates,2007 Ink on Matte Board, 14 x 17"
Precipitates (III),2007 Pencil, Oil Crayon on Matte Board, 12 x 16"
Precipitates (origins),2007 Ink, Pencil, Gouache on Paper, 27.75 x 39.5"
Second Order Consequences/Precipitates (heuristics),2007 Gouache, Pencil, Oil Crayon on Paper, 27.75 x 39.5"
Second Order Consequences is a current in process project developed from collected research on climate, the theory of differentiation, and evolution. The drawings and mixed media works explore memory in terms of cryoturbation (organic material that is slowly pushed below the surface of the active layer [ice] existing for ages in a state of suspended animation) and second-order consequences. The consequences of humans on the environment are exponential: we produce/use, the environment shifts significantly, species ways of life alter, the language we use is forced to adapt. These varied topics all lead to an inquiry into familiar sites and memory, specifically the environment and human biology.
Second Order Consequences (XIX) precipitates 2007, Pencil on Matte Board, Oil Crayon on Glassine, 7.5 x 9.5" Private Collection, Beacon, New York
Precipitates (IV),2007 Ink, Acrylic, Paper on Matte Board, 11.5 x 16.75"
Second Order Consequences (XXI) 2007, Ink, Pencil, Paper on Matte Board, 11.625" x 9.125"
Second Order Consequences (XXV) inverse interstices 2007, Cast Paper, Each 8.75 x 9 x .75"
Second Order Consequences (XVI) interstices 2006-2007, Plaster, 8.875 x 9 x 1.75"
Second Order Consequences (XV) 2006, Ink, Oil Crayon, China Marker on Paper, 12 x 8.25"
Second Order Consequences (IX),2006 Vellum with adhesive, 13" diameter
Second Order Consequences (IX),detail, 2006 Vellum with adhesive, 13" diameter
Second Order Consequences (XII),2006 Vellum, Pencil, Acrylic, Ink on Canvas, 20" diameter
Second Order Consequences (VIII),2006 Gouache, Pencil on Paper, 27.75" x 39.5"
Second Order Consequences (V) 2006, Gouache, Pencil on Paper, 39.5 x 27.75"
Second Order Consequences (IV) 2006, Gouache, Pencil, on Paper, 39.5 x 27.75"
Second Order Consequences (III),2006 Gouache, Pencil, on Paper, 39.5 x 27.75"
Second Order Consequences (II) Exponential,2005 Gouache, Pencil on Paper, 49.5 x 29.5" Collection of Weil, Gotshal, & Manges, LLP, Redwood Shores, California
Second Order Consequences,2005 Gouache, Pencil on Paper, 30 x 22"
cryoturbation (II),2005 Ink, Pencil on Vellum, 7.375" x 5.875"
Second Order Consequences (VI) 2006, Gouache, Pencil on Paper, 39.5 x 27.75" Collection of Weil, Gotshal, & Manges, LLP, Redwood Shores, California
Second Order Consequences (VII) 2006, Gouache, Pencil on Paper,39.5 x 27.75" Collection of Weil, Gotshal, & Manges, LLP, Redwood Shores, California
vicissitude (second order consequences),2006 Acrylic, Plastic, Metal on Canvas, 10" diameter
Second Order Consequences (excursus),2006 Acrylic, Pencil, Plastic on Canvas, 16" diameter
Dormants Artist Book, 35 pages unique drawings 2005-2006
wind, water, animalfrom Dormants, artist book 2005-2006, Ink, Charcoal, Pencil on Paper, 7.5 x 7.5"
foraminiferafrom Dormants, artist book 2005-2006, Acrylic, Oil Crayon, Pencil on Paper, 7.5 x 7.5"
anthersfrom Dormants, artist book 2005-2006, Ink, Pencil on Paper, 7.5 x 7.5"